I’d ask Bryan, but I stood on his hand once and he hasn’t spoken to me since.The second song offers little help. I find myself seeking guidance. “Now there is no turning back/ Once gone the traces impact/ War child there's no changing”, the song goes. “Being in America … I remember thinking that the entire country seems to be built largely on European heritage, so it's just me celebrating Europe, really,” he told New Statesman. Please continue to respect all commenters and create constructive debates.Are you sure you want to mark this comment as inappropriate?Please be respectful when making a comment and adhere to our There are no Independent Premium comments yet - be the first to add your thoughtsPlease be respectful when making a comment and adhere to our There are no comments yet - be the first to add your thoughtsGruff Rhys of Super Furry Animals wrote “I Love EU” and is firmly in the Remain campAs EU D-Day approaches (is D-Day an appropriate tag?) Despite him memorably singing the minor hit “The Man Don’t Give a Fuck” – a song he described as against “any organisation which you feel is terrorising you as an individual”, he is now firmly in the Remain camp, largely due to, as he sees it, Europe’s culturally civilising influence on we barbarous Brits: “You liberated me from pie and mash/ You cultured me with sophistication and panache” and, “When I met you, I'd never tasted pasta or baguettes/ I'd never heard the golden call of castanets.” What’s the EU ever done for us? The cover shows Bryan Ferry's then girlfriend and 1973 Playmate of the Year, Marilyn Cole.It was the first Roxy Music album on which Ferry was not the sole songwriter as multi-instrumentalist Andy Mackay and guitarist Phil Manzanera also contributed to the album. Well, with a break for the occasional Gitane.But let’s not go out (or, er, stay in) on a note of superficiality. Check out A Song for Europe by Roxy Music on Amazon Music. Roxy Music : A Song For Europe [Stranded, 1973] [reblog] from Oannes on the occasion of Andy Mackay birthday click on the image to see original post and listen… Most of the track (song, not rail) is a repetition of the title, but it does contain the tantalising possibility that if we go to Dusseldorf we could meet David Bowie and Iggy Pop, though I’m sure this would have been hardly more likely in the mid-Seventies than it is now, so its vote-winning qualities are limited. After all, when I was short of ideas for travel I was advised to get my kicks on Route 66; when relationships were difficult I was counselled that it’s a little bit me and a little bit you; and at parties I’ve been told to stay on the scene like a sex machine. Stranded is the third album by English rock band Roxy Music, released in late 1973.It reached number one on the UK album charts. Must have been written during some California dreaming.Roxy Music performing from their album 'Stranded' in 1973Time to look further afield. A Song for Europe Roxy Music. After all, when I was short of ideas for travel I was advised to get my kicks on Route 66; when relationships were difficult I was counselled that it’s a little bit me and a little bit you; and at parties I’ve been told to stay on the scene like a sex machine. You are about to order a partial song. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate.

Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. Dunno, I’ve been down some dodgy back alleys in Italy.Promoting continental Europe rather better is Kraftwerk’s “Trans Europe Express”, presumably something we may need a visa to take advantage of soon. The first, by the Velvet Underground, is the closing track on their debut and states, prophetically given it was 1967: “You better say so long/ Hey hey, bye bye bye” (it was in fact to a dying friend of Lou Reed’s); while the second is by New Romantic retro-glammers Japan, and offers “Here I am/ European son/ Sometimes the passenger”, perhaps alluding to a lack of democratic accountability in a nascent continental superstate.

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