The Power Plant, Toronto, Canada21 Sep 2019 - 10 May 2020For his first solo presentation in Canada, American artist Rashid Johnson stages a major new site-specific commission.
The rigidly uniform support equally evokes the tiles of subway stations as well as rational grids of minimalist art, and through Johnson’s frenetically incised portraits a vivid impression of human presence emerges.Johnson’s Anxious Audiences first came about from a desire to transmit his personal experience of anxiety, especially heightened by a political climate of increasing division in the United States.
Black soap, made from the ashes of burned plant matter and commonly used in West Africa, is mixed with wax and applied as pigment onto the white tiled surface — for Johnson, a way of complicating associations of cleanliness and healing. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020
Though these faces are presented on a shared plane, their solidarity is ambiguous: do we interpret them as united with a sense of togetherness in the face of collective unease, or might we understand this as an amassing of disparate individual experiences?Above, high on the beams that run across the space, ceramic pots house a series of tropical plants. to get the latest stories from Rashid Johnson, Anxious Audience, 2019. For The Power Plant, Johnson developed an ambitious new work in this series visitors amongst an accumulation of portraits incised in white tile panels.
Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 Category: All content © 2020 Contemporary And. Rashid Johnson : Anxious Audience The Power Plant, Toronto, Canada 21 Sep 2019 - 10 May 2020 Rashid Johnson, Untitled (Microphone Sculpture), 2018. delivered straight to your inboxTo complete the subscription process, Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 He is renowned for minimalist black grid constructions that serve as carriers for plants, shea butter and other artefacts—objects that reference collective aspects of African-American intellectual history and cultural identity. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 But on this alternative plane, high above the crowd, these vessels introduce a life force, a sense of potential, of caretaking and community.Sign up to our newsletter now All Rights Reserved. CONTEMPORARY AND (C&) Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020 Photo: Toni Hafkenscheid. Courtesy the artist, Hauser & Wirth and David Kordansky Gallery. delivered straight to your inboxTo complete the subscription process, Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020
Installation view: The Power Plant, Toronto, 2019.
Since 2015, his output has encompassed representational works entitled “. This is the fifth iteration of the Clerestory Commission Program, which invites artists to respond to The Power Plant’s centralJohnson has attained prominence internationally for works harnessing the rich symbolism and histories of varied materials that are both naturally occurring and artificially made. This audience scrutinizes us as viewers as much as the other way around. to get the latest stories from This is the fifth iteration of the Clerestory Commission Program, which invites artists to respond to The Power Plant’s central, light-filled space. The product of what Johnson has referred to as ‘drawing through erasure’, in which digging and scratching reveals faces within thickly layered black surfaces, each of these fields registers a character using the most basic inscriptions of personhood.Johnson’s work harnesses the rich symbolism and histories of varied materials that have personal meaning and at times are signifiers of greater African-American cultural identity. Each pot becomes a member of this audience, a face carved roughly into its surface. Rashid Johnson ”Anxious Audience” at The Power Plant, Toronto, 2020
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please click the link in the email we just sent you.Sign up to our newsletter now )” at Kai Art Center, Tallinnektor garcia “Oax.D.F.L.A.N.O.H.K.” at Empty Gallery, Hong KongPaul Bonnet “Common Task” at Édouard Montassut, ParisCudelice Brazelton “Violent Groom” at Galeria Wschód, WarsawSimon Denny “Worker Cage Document Reliefs” at Fine Arts, Sydney, SidneyMarina Pinsky “Four Color Theorem” at CLEARING, BrusselsFor his first solo presentation in Canada, American artist Rashid Johnson has undertaken a major new site-specific work.
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